With two augmented seconds - between 2 and 3 and between 6 and 7 - this scale has a somewhat non-western sound to it. But outside of this stylistic convention it can provide some quite extravagant harmonic progressions and is a fertile source of inspiration. The melodic deficiencies, and the difficulty of simultaneously avoiding parallel fifths and augmented intervals make this scale difficult to use in a manner consistent with common practice classical. But it can be sustained at length because it supports a strong tonic function on the I triad. This scale is usually found as a temporary alteration of the standard major scale. So if the tonic is c, the scale will consist of the following notes and triads: c The double harmonic major scale and its triads are represented numerically as: 1
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